%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % This file is a part of the Open Hymnal Project to create a freely % distributable, downloadable database of Christian hymns, spiritual % songs, and prelude/postlude music. This music is to be distributed % as complete scores (words and music), using all accompaniment parts, % in formats that are easily accessible on most computer OS's and which % can be freely modified by anyone. The current format of choice is the % "ABC Plus" format, favored by folk music distributors on the internet. % All scores will also be converted into pdf, MIDI, and mp3 formats. % Some advanced features of ABC Plus are used, and for accurate % translation to a printed score, please consider using "abcm2ps" % version 4.10 or later. I am doing my best to create a final product % that is "Hymnal-quality", and could feasibly be used as the basis for % a printed church hymnal. % % The maintainer of the Open Hymnal Project is Brian J. Dumont (editor % at openhymnal dot org)). I have gone through serious efforts % to make sure that no copyright mistakes make it into this database. % If I am in error, please inform me as soon as possible. % % This entire effort has used only free software, and I am indebted to % the efforts of many other individuals, including the authors of % the various ABC and ABC Plus software. Undoubtedly, I am also indebted % to all of the great Christians who wrote these hymns. % % This database comes with no guarantees whatsoever. % % I would love to get email from anyone who uses the Open Hymnal, and % I will take requests for hymns to add. My decision of whether to % add a hymn will be based on these criteria (in the following order): % 1) It must be in the public domain or freely distributable % 2) It must be a Christian piece % 3) Whether I have access to a printed copy of the music (surprisingly, % a MIDI file is usually a terrible source) % 4) Whether I like the hymn :) % % If you would like to contribute to the Open Hymnal Project, please % send an email to me, I would love the help! PLEASE EMAIL ME IF YOU % FIND ANY MISTAKES, no matter how small. I want to ensure that every % slur, stem, hyphenation, and punctuation mark is correct; and I'm sure % that there must be mistakes right now. % % Open Hymnal Project, 2025 Edition % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGE LAYOUT % %%pagewidth 21.6000cm %%pageheight 27.9000cm %%scale 0.6900000 %%staffsep 1.0000cm %%lineskipfac 1.0 %%exprabove false %%measurebox false %OHSCRIP Ex 15:1-2, Is 52:9-10, Is 53:12, Rev 15:2-4, 1Cor 15:54-57, 1Chr 29:10-13, Jn 19:30 %OHTOPICS {Adam (first/second - see also Guidance, Invitation [ours to God], Repentance) [2]}, {Art and Music}, {Atonement}, {Blood [7,10]}, {Christmas/Advent [4,5]}, {Cross}, {God, Creator [2]}, {Jesus}, {Kindness, God's}, {Praise, Son}, {Salvation}, {Victory}, {Worship} %OHCATEGORY REDEEMER %OHMETRICAL 8 7 8 7 8 7 %OHCOMPLEXITY 4 %OHCOMPOSER Proper Sarum Melody %OHARRANGER unknown %OHAUTHOR Fortunatus, Venantius Honorius Clementianus (530-609) %OHTRANSLATOR Neale, John Mason (1818-1866) %%postscript /st { moveto -8 0 rmoveto 0 8 rlineto 4 0 rlineto stroke } def %%postscript /nd { moveto -8 0 rmoveto 0 8 rlineto -4 0 rlineto stroke } def %%deco sintro 6 st 6 0 0 %%deco eintro 6 nd 6 0 0 %%setfont-1 Symbol 13 %%setfont-2 Times-Roman 13 X: 1 T: Sing My Tongue, The Glorious Battle T: (also known as Sing My Tongue the Savior's Battle) C: Words: Venantius Fortunatus, 569. Translated by John M. Neale, 1851. C: Music: 'Pange Lingua', Proper Sarum Melody, alt. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1898, alt. C: copyright: public domain. This score is a part of the Open Hymnal Project, 2025 Revision. S: Music source: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1898 Hymn 98, alt. Alterations by Brian Dumont, 03 Nov 2025. All alterations released into the public domain. S: Lyrics Source: "Mediæval Hymns" by John Mason Neale, 1851 pg 1-4 M: none % time signature L: 1/4 % default length %%staves (S1V1 S1V2) | (S2V1 S2V2) V: S1V1 clef=treble %%MIDI beat 127 125 110 1 V: S1V2 %%MIDI beat 127 125 110 1 V: S2V1 clef=bass %%MIDI beat 127 125 110 1 V: S2V2 %%MIDI beat 127 125 110 1 K: C % key signature % %%MIDI program 1 0 % Piano 1 %%MIDI program 2 0 % Piano 1 %%MIDI program 3 0 % Piano 1 %%MIDI program 4 0 % Piano 1 % % 1 [V: S1V1] [Q:1/4=100] E E | E D G G | (A B) c2 | d c B A | c/B/ A G2 | w: 1.~Sing, my tongue, the glo- rious bat- * tle, With com- ple- ted vic- * t'ry rife, w: 2.~God his Ma- ker sore- ly grie- * ving That the first born A- * dam fell, w: 3.~For the work of our sal- va- * tion Needs would have his or- * der so, w: 4.~Where- fore, when the sac- red full- * ness Of th'ap- poin- ted time * was come, w: 5.~Weeps the In- fant in the man- * ger That in Beth- l'hem's sta- * ble stands; [V: S1V2] B, B, | C B, E E | (E G) G2 | G E G F | G ^F G2 | [V: S2V1] G, G, | G, G, B, B, | (C D) E2 | B, C E C | C/D/ D B,2 | [V: S2V2] E, E, | C, G, E, E, | (A, G,) C2 | G, A, E, F, | E,/G,/ D, G,2 | % 6 [V: S1V1] G A | c B A G | G2 A2 | (A c) A G/F/ | E A/G/ E | D2 w: And a- bove the cros- s's tro- phy Tell * the tri- * umph of * the strife, w: When he ate the nox- ious ap- ple Whose * re- ward * was death * and hell, w: And the mul- ti- form de- cei- ver's Art * by art * would o- * ver- throw. w: This world's Ma- ker left His Fa- ther, Left * His bright * and heav'- * nly home, w: And His limbs the vir- gin mo- ther Doth * com- pose * in swad- * dling bands, [V: S1V2] D F | G G E E | E2 E2 | (F C) C E/D/ | C C/D/ C | B,2 [V: S2V1] B, C | C D C B, | C2 C2 | (C G,) A, C/A,/ | A, E,/G,/ G, | G,2 [V: S2V2] G, F, | E, G, A, E, | (C, A,,) A,2 F,/E,/ | F, C,/D,/ A,, | (A,, B,,) C, | G,,2 % 13 [V: S1V1] G G | G E F G | (G A) A2 | !sintro!c A G2 | (A G) F/E/ D | E2!eintro!|] w: How the world's Re- dee- mer con- * quered By sur- rend'- ring * of * His Life. w: No- ted then this wood, the ru- * in Of the an- cient * wood * to quell. w: And from thence would bring the med'- * cine Whence the ve- nom * of * the foe. w: And pro- cee- ded, God In- car- * nate, From the vir- gin's * ho- * ly womb. w: Meet- ly thus in li- nen fol- * ding Of her God the * feet * and hands. [V: S1V2] D D | D C A, C | C2 E2 | F C E2 | E2 D/C/ B, | B,2 |] [V: S2V1] B, B, | G, G, F, E, | E,2 C2 | C/A,/ C C2 | C2 A,/G,/ G, | G,2 |] [V: S2V2] G,, G,, | B,, C, D, C, | (C, A,,) A,2 | F, F, C,/A,,/ C, | (D,2 E,) G, | E,2 |] % 18 W: 6.Thirty years among us dwelling, W: His appointed time fulfilled; W: Giv'n for this, He meets His Passion, W: For that this He freely willed; W: On the Cross the Lamb is lifted, W: On Whose Death our hope we build. W: W: 7.He endured the shame and spitting. W: Vinegar and nails and reed; W: As His Blessed Side is opened, W: Water thence and blood proceed: W: Earth, and sky, and stars, and ocean, W: By that flood are cleansed indeed. W: W: 8.Faithful Cross! above all other W: One and only noble Tree! W: None in foliage, none in blossom, W: None in fruit compares with Thee: W: Sweetest wood, and sweetest iron, W: Sweetest weight sustaining free. W: W: 9.Bend thy boughs, O Tree of Glory! W: Thy relaxing sinews bend; W: For awhile the ancient rigour W: That thy birth bestowed, suspend: W: And the King of Heavenly Beauty W: On thy bosom gently tend. W: W: 10.Thou alone wast counted worthy W: This world's ransom to uphold; W: For a shipwrecked world preparing W: Harbor, like the Ark of old; W: With the sacred Blood anointed W: From the wounded Lamb that rolled. W: W: 11.$1D$2 Laud and honor to the Father, W: Laud and honor to the Son, W: Laud and honor to the Spirit, W: Ever Three and ever One: W: Consubstantial, co-eternal, W: While unending ages run.